Submitted by SITI Alumni on July 20, 2016 - 11:31am
On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we have the great pleasure of spotlighting Koh Wan Ching. Wan Ching is a performer and movement director in Singapore, and was an artist in SITI’s inaugural Conservatory class in 2013-14.
Submitted by Anne Bogart on July 5, 2016 - 12:29pm
Ric Zank and his company, the Iowa Theater Lab exerted a significant influence on me as well as on many of my colleagues during the late 1970’s and early 1980’s. The work was physical, imagistic, emotional and, to me, unforgettable. During rehearsals for a new production of Moby Dick in 1975, the lead actor of the company, the brilliant and physically masterful George Kon who was playing the whale, grew increasingly aggravated and upset. At one point his frustration intensified and escalated to a point that he literally ran up a wall of the rehearsal hall.
On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we’re spotlighting a few artists who are some of our newest alumni. Shanna May Breen, Alberto Ruiz, and Luke Santy spent the month of June with us as part of our 2016 Summer Intensive at Skidmore College in Saratoga Springs. Below, they share a little about what brought them to SITI and what’s inspiring them at the moment.
Submitted by Michelle Preston on June 7, 2016 - 3:22pm
Here at SITI Company my staff and I spend a lot of time encouraging the Company members to share their process either through blogs, videos or in person with our donors and board members. I firmly believe that sharing the stories about why and how we develop SITI productions is a crucial tool in audience building and donor engagement because at the end of the day the quality of our relationship to people is more important than the number of tickets sold or the size of the donation. I’m certain that many of you follow Anne’s monthly blogs and derive as much joy from reading them as I do. I also hope you’ve been able to read Leon’s blogs announcing SITI Work/Space and SITI Thought Center, and if you haven’t I encourage you to do so. Now it seems, the tables have been turned and they’ve asked me to write about the practical realities of making something like Work/Space happen and why Leon is telling the world about the white board in my office.
Submitted by Anne Bogart on June 6, 2016 - 11:45am
As a midyear transfer student at Bard College, I stood on a long line to sign up for a popular theater class taught by Bill Driver, the chair of the theater department who would soon become my first directing teacher. Sitting quietly at a small desk, Driver seemed to ignore the frantic atmosphere of impatient students vying for places in his classes. After what felt like an interminable wait, I finally stood before him, surprised to find him relaxed and present with me, interested in who I was and where I came from. Despite the surrounding chaos, he seemed neither rushed nor harried.
On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we have the great pleasure of spotlighting Shura Baryshnikov. Shura is an interdisciplinary performer, movement designer, and choreographer working in both dance and theatre.
Submitted by SITI Alumni on May 20, 2016 - 11:32am
On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we have the great pleasure of introducing you to Travis Russ. Travis is the founding Artistic Director of Life Jacket Theatre Company, a company focused on creating works based on real events. Travis is an Associate Professor at Fordham University, where he teaches graduate and undergraduate classes in communication and performance.
Many years ago my T’ai Chi Chuan teacher Jean Kwok made a trip to Hong Kong. On her first morning in the city she walked into a nearby park to practice her form. The large park was filled with many separate groupings of people and individuals moving fluidly through a wide variety of styles of T’ai Chi Chuan. Developed by different families in China over the course of the centuries, there are literally hundreds of distinctly different forms of T’ai Chi. Jean walked around the park observing the variations in form with great interest.
On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we have the great pleasure of introducing you to Jessica Burr. Jessica is the Artistic Director of Blessed Unrest, a company committed to producing dynamic, disciplined, and exuberant new works for the stage in New York City and abroad, building original pieces and reconstructing established texts with its diverse ensemble of artists.
Submitted by Leon Ingulsrud on May 7, 2016 - 3:19pm
Are you successful?
Do you feel successful?
What does success even mean to you?
Do these questions feel familiar to you?
Does it seem like I’m about to try and sell you something?
The question “Am I successful?” is on our minds a lot more than we let on. This is not only because it is a trickier thing to evaluate than we are led to believe, but we tend to think that to ask the question at all is to implicitly answer it in the negative.